Sweet Bean Review
Movie: Sweet Bean (English title)
Romaji: An
Japanese: あん
Director: Naomi Kawase
Writer: Tetsuya Akikawa (novel), Naomi Kawase
Japanese: あん
Director: Naomi Kawase
Writer: Tetsuya Akikawa (novel), Naomi Kawase
Actors: Kirin Kiki, Masatoshi Nagase, Kyara Uchida, Taiga
When it comes to slow thought provoking films there is no
better country that produces films like this than Japan, and there have been
two directors that are front runners in this kind of genre which were Koreeda
and Kawase. Both have similar styles but if you look closely koreeda films were
tied with family while Kawase films were tied with how humans were connected
with nature. Having said that, this film by Kawase is such a compelling film
but compelling might be an understatement and strong might be a better word to
describe it.
Well the story is simple a guy bakes pastries for a living, selling them under
these beautiful cherry trees, in a street side shop that he doesn't own. He is
somewhat unhappy with his life, because of certain events in his past. One of
his close customers is a middle school girl who is also troubled by her
relationship with her mother. One day an old lady appears and asks if she can
be a part timer in his shop, he politely refused because he thought she could
not do the job, but the old lady keeps coming until he accepts her when he has
tasted her red bean paste. It is the word of mouth about Sentaro's improved
Dorayaki that makes people mob their shop, but it is also the reason why the
shop became deserted. At first the movie seems it is about food as you witness
how much time is needed to prepare the perfect red bean paste. Until you reach
into a point where you realize there is much more to it and the main point of
the movie is so strong that might leave you in tears. Aside from how people
were connected to nature, which was Kawase's trademark, there are also 2 main
points the director wants to convey, which were "the stigma of
leprosy" and "the value and meaning of life", the former is the
most captivating but I find the latter rewarding.
Kawase as a director is always been impressive, her eyes and ears for films is
in my opinion, unmatched. Her visuals as she captured those nature shots and
blends it well with her poetic dialogues were very much engaging. Her camera
work that sometimes would make you feel that you were watching a documentary
was able to show the emotions of her characters perfectly. The way she captures
background sounds works well for what she have, her canvass, and that would
make a certain scene so poignant.
I've already said eyes and ears but now I will talk about the feels which was missing from the recent movies I've seen from her.
I've already said eyes and ears but now I will talk about the feels which was missing from the recent movies I've seen from her.
"we want to live in society where the sun shines"
If a single quote can knocked you off your feet, this is it, perhaps the most powerful quote I've encountered watching a movie. This quote left me bawling for tears literally, as the scene after this quote had been said were directed perfectly. The emotions that the director is trying to convey goes to me, it did hit me as it clearly show that the stigma on people who have this disease is still happening even though that Japan have already removed them from isolation since 1996. I even felt guilty that I might probably act the same way towards her like those customers and even Sentaro himself. We are only human, we only judges person based on their looks.
If a single quote can knocked you off your feet, this is it, perhaps the most powerful quote I've encountered watching a movie. This quote left me bawling for tears literally, as the scene after this quote had been said were directed perfectly. The emotions that the director is trying to convey goes to me, it did hit me as it clearly show that the stigma on people who have this disease is still happening even though that Japan have already removed them from isolation since 1996. I even felt guilty that I might probably act the same way towards her like those customers and even Sentaro himself. We are only human, we only judges person based on their looks.
The acting, Nagase Masatoshi, this is the first time I've seen this actor that
has this tadanobou asano-ish aura, well it may be disrespectful to addressed
him this way, but I was impressed with him. He was able to show the struggles
of his character in subtle way but what I was really impressed is his scene
during the end. Uchida Kyara, who is kirin kiki's real granddaughter shows some
promise although not to the extent of how jun yoshinaga impresses me, she
managed to somewhat stick and not falls off just as a background character
cause among the 3 characters , her character has less emphasis. Then its kirin
kiki, who makes the time flew so fast, cause I was captivated by her acting the
whole time. No need to pity her character, her character is already done with
that pity phase. It is her character whose last purpose is to enrich the lives
our other 2 characters, to show them that we were born into this world to see
it and listen to it, since that is the case we don't have to be someone, that
each of us has meaning to our lives. Kirin kiki has been the best Japanese
actress for me since that time I saw her on akunin. She has done performances
that melts your heart from movies chronicles of my mother, akunin, Tokyo Tower:
Mom Me, and Sometimes Dad. You might just recognize her on supporting roles and
that might be enough to call her great actress, but if you really want to see
what she's capable of as an actress you need to see her in a main role.
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